奴隸女獵人

不可饒恕1992

　　堪薩斯的農民威廉（克林特·伊斯特伍德 Clint Eastwood ）年輕時曾是出名的殺手和劫匪，然而當遇上了克勞迪亞后，他的生活開始徹底改變。威廉和克勞迪亞結婚生子后，洗手不干，一家人過著幸福的生活。好景不長，克勞迪亞不久故去，威廉獨立帶著兩個孩子過著清貧寧靜的生活。　　這時，該地區發生了一起牛仔醉酒毆打妓女并將其毀容的惡性事件，壞蛋警長達格特（吉恩·哈克曼 Gene Hackman 飾）只將此事草草了結，兇手仍逍遙法外。當地妓女紛紛捐錢，要求懸紅1000美金請殺手來伸張正義。“思科菲爾德小子”找到威廉，要求合伙干這票買賣。為了給孩子們一個幸福富足的家庭，威廉終于答應再次出山。

在你的愛情里

我的青春我的夢

大學生青春勵志，追求自己的夢想！三個青年人回歸大學的生活學習中，繼續努力，不斷充實自己，讓自己有機會，有能力站在更高的平臺上，在各自的人生舞臺上閃閃發光。她們仍然熱愛電影、拍攝電影，但更愛踏實勤奮的自己。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

勿擾警告

　　一群朋友計劃離開城市去海邊度過一個輕松的周末，但事情發生了變化，一個年輕女子在一個偏僻島嶼的岸邊向他們揮手求助。伸手救援便是致命的危險，他們不顧一切要逃離小島。

怨泊

　　東京，一個世界知名的大城市。 Sarah (何超儀 飾) 與男友分手后，來到此地欲求購買房生產，并度過一個短暫而寧靜的假期，但一切事與愿違。由于美國總統的突然到訪東京，原定的酒店已滿。　　房地產公司將她安置在一座非常破舊廢棄令人毛骨悚然的私人民宿 “minipaku” 中 ，當Sarah入住時，她發現它是由一位老婦人（白川和子 飾）經營的。她在那里的第一個晚上感到十分不安和可怕，噩夢連連，并且病了起來，只能被迫留下來，更令她意外地發現了一具正在被寄生蟲吞噬的完整骨骼。警察局的高級警司（高橋和也 飾）接手調查，也發現這家民宿牽涉多宗連環離奇失蹤案件，怪事連連，警司也未能為Sarah破解。　　這座有著非常神秘力量和不明歷史的房子，與Sarah有著某種聯系。當 “minpaku” 的燈熄滅時，可怕而令人不安的景象籠罩著她，它們變得越來越真實。一場又一場可怕而離奇的噩夢，令人不知道這是開始還是結束，似乎一切都是安排好的。